front cover of Rubbish Belongs to the Poor
Rubbish Belongs to the Poor
Hygienic Enclosure and the Waste Commons
Patrick O’Hare
Pluto Press, 2021
Rubbish. Waste. Trash. Whatever term you choose to describe the things we throw away, the connotations are the same; of something dirty, useless and incontrovertibly 'bad'. But does such a dismissive rendering mask a more nuanced reality? In Rubbish Belongs to the Poor, Patrick O'Hare journeys to the heart of Uruguay's waste disposal system in order to reconceptualize rubbish as a 21st century commons, at risk of enclosure. On a giant landfill site outside the capital Montevideo we meet the book's central protagonists, the 'classifiers': waste-pickers who recover and recycle materials in and around its fenced but porous perimeter. Here the struggle of classifiers against the enclosure of the landfill, justified on the grounds of hygiene, is brought into dialogue with other historical and contemporary enclosures - from urban privatizations to rural evictions - to shed light on the nature of contemporary forms of capitalist dispossession. Supplementing this rich ethnography with the author's own insights from dumpster diving in the UK, the book analyzes capitalism's relations with its material surpluses and what these tell us about its expansionary logics, limits and liminal spaces. Rubbish Belongs to the Poor ultimately proposes a fundamental rethinking of the waste-capitalism nexus.
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front cover of Taking Form, Making Worlds
Taking Form, Making Worlds
Cartonera Publishers in Latin America
Lucy Bell, Alex Ungprateeb Flynn, Patrick O’Hare
University of Texas Press, 2022

2023 LASA Visual Culture Studies Section Book Prize, Latin American Studies Association (LASA)

The first comprehensive study of cartonera, a vibrant publishing phenomenon born in Latin America.

A publishing phenomenon and artistic project, cartonera was born in the wake of Argentina’s 2001 economic crisis. Infused with a rebellious spirit, it has exploded in popularity, with hundreds of publishers across Latin America and Europe making colorful, low-cost books out of cardboard salvaged from the street. Taking Form, Making Worlds is the first comprehensive study of cartonera. Drawing on interdisciplinary research conducted across Mexico, Brazil, and Argentina, the authors show how this hands-on practice has fostered a politically engaged network of writers, artists, and readers. More than a social movement, cartonera uses texts, workshops, encounters, and exhibitions to foster community and engagement through open-ended forms that are at once artistic and social. For various groups including waste-pickers, Indigenous communities, rural children, and imprisoned women, cartonera provides a platform for unique stories and sparks collaborations that bring the walls of the “lettered city” tumbling down. In contexts of stigma and exclusion, cartonera collectives give form to a decolonial aesthetics of resistance, making possible a space of creative experimentation through which plural worlds can be brought to life.

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